embouchure
- 1. Do not change your embouchure or anything.
- 不要改变你的口型或者其它什么。
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- 2. The cheeks are brought back to their normal embouchure position.
- 面颊重新恢复正常口型位置。
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- 3. Special embouchure for silver headjoint, with which we can get loud volume and very heavy bass.
- 特制银笛头吹口，这种吹口可以获得大音量、更加厚实的低音。
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- 4. These will help you to progress improve technic, tone and of course embouchure , if done dilligently.
- 如果你正确练习，这些将帮助你提高技巧、音色，当然还有口型。
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- 5. Reeds themselves are a basic issue and take a while before you and your embouchure know what you are doing.
- 哨片是一个很基本的硬件要素，需要你和你的口型有一段适应时间。
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- 6. Armstrong USA - Sterling silver . 014" head, . 018" silver-plated nickel silver body & C foot, silver-plated French (open hole)keys, "Progressive cut" embouchure hole, in-line G.
- 美国阿姆斯特朗-纯银.014”笛头，.018”镍银镀银笛身和C型笛尾，镀银法国（开孔）按键，“革新”吹孔，直列G键。
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- 7. Very important, you do not have to change your embouchure to single lip in order to play in the jazz style. And you simply just continue to do your regular so-called Classical training.
- 非常重要的一点：你无需改成单包来演奏爵士，同时你也只需要继续按照古典音乐的演奏训练即可，并不妨碍你演奏爵士。
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- 8. Very important, you do not have to change your embouchure to single lip in order to play in the jazz style. And you simply just continue to do your regular so-called Classical training.
- 非常重要的一点：你无需改成单包来演奏爵士，同时你也只需要继续按照古典音乐的演奏训练即可，并不妨碍你演奏爵士。
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