Through files, local chronicles, papers and magazines, this thesis aims at discussing the development of the folk troupes in Shanghai (1949-1958) , and from the point of interplay between government-society and the folk troupes, describing the two-way cours.
本文在爬梳档案、地方志、报纸杂志的基础上,对上海50年代(1949-1958年)民间剧团的发展进行了较为全面的论述。