The paper, taking "what to say" and"how to say it" as its starting point, discusses the speech inpiduality of characters in literary works in order to reveal its multi purpose functions in picturing distinctly and accurately the characters and theirs personalities, especially discusses the function of "how to say it" in vivifying the characters and in delineating their inner world.
本文集中探讨了文学作品中人物语言个性化问题 ,从“说什么”和“怎么说”两方面展开论述 ,从而揭示人物语言的个性化既可使人物个性的意识风貌得到明晰、准确地展现 ,又显示其性格特征 ;特别是通过“怎么说”的方式 ,对人物性格进行生动地表现和深入地开掘。
Say what you have to say.
你要说什么就说什么。
What was he talking about?
“你说什么呀? 报什么警呀?”
How you say it often counts more than what you say.
怎么说比说什么更重要。
`Don't you mean "purpose"?'
“你说什么‘孩童’？”
No, what does it say?
没有，它说什么了？
He encouraged her to speak her mind, to be flippant and daring.
他鼓励她有什么说什么，随便说，不拘束。
said Jimmy, in surprise.
基米吃惊地说，“你说什么？
No matter what he says or does, do not trust him .
不管他说什么做什么都不可信赖他。
Naturally he was buffeted about and appeared all things to all men.
他受到各派攻击，对什么人说什么话。
He says what he thinks, but he means no harm.
他想到什么说什么，但是他没有恶意。
I don't care what she says and what she does.
她说什么，做什么都不关我的事。
She held back, not knowing what to do or say.
她犹豫起来, 不知该做什么或该说什么。
He always says what he thinks; he can't hold anything back.
他有什么说什么， 肚子里存不住话。
What?@ said the little tailor.
“什么？”小裁缝说。
"Why do you say, `Ah?'
“您为什么说‘哎呀’？”
Uh, oh... but what, what did I say?
唔....我说了什么？
`Why?' said the Caterpillar.
“为什么？”毛毛虫说。
Winter turned,"Yes?"
温特回头说：“什么？”