1.As a phenomenological classical writer, Maurice Merleau-Ponty appears to pay more attention to the body, space, but not the time question.
作为现象学经典作家的梅洛-庞蒂关注的看似好像更多的是身体、空间而非时间问题，其实则不然。
2.Secondly, Merleau-Ponty presented the fleshing quality of behavior in description of the phenomenon of the body.
其次，梅洛-庞蒂在身体的现象描述中呈现行为的肉身性。
3.This article examines Merleau-Ponty's reflections on the concept of the flesh.
本文侧重考察了后期梅洛-庞蒂关于肉身概念的思考。
4.In academic circles, Maurice Merleau-Ponty, considered to be most closed to Edmund Husserl, has been regarded as a mid-period metaphysician.
学术界一般以为梅洛•彭迪与胡塞尔最接近，视他为中期形而上学家。
5.As a famous French phenomenologist, Merleau-Ponty's thought of phenomenology is very special and unique.
作为法国著名的现象学家，梅洛-庞蒂的现象学思想可谓独树一帜。
6.It is Merleau-Ponty's stance of opposing traditional rationalism to recognize the existence of world and the unity of body and world.
坚持现象学美学意义上的世界存在的实在性和身体与世界的同一，是梅洛-庞蒂对抗传统理性主义的基本立场。
7.Phenomenology of perception is the essential idea of Merleau-Ponty.
知觉现象学是法国哲学家梅洛—庞蒂的基本哲学思想。
8.The three themes of Merleau-Ponty's philosophy, perception, physical and art are inextricably linked with behavior.
梅洛-庞蒂哲学中知觉、身体、艺术三个主题与行为之间有密不可分的联系。
9.I mean, and Maurice Merleau-Ponty points this out, that we are beings who are looked at, in the spectacle of the world.
我的意思是，梅洛、庞帝也指出这一点，在世界的景象中，我们是作为被观看的人。
10.For Merleau-Ponty, the perception does not only refer to feeling, but also thinking.
梅洛·庞蒂的身体观从知觉出发，指出知觉不仅包括感觉，而且还包括思维；