1.His punishments of Caliban are petty and vindictive, as he calls upon his spirits to pinch Caliban when he curses.
他的丑陋处罚是琐碎的和有报仇心的，如同当他诅咒的时候，他在他的精神之后呼叫掐丑陋一样。
2.The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.
十九世纪对浪漫主义的憎恶，犹如从镜子里照不见自己面孔的凯列班的狂怒。
3.The image of Caliban provided by Prodpero is his own invention and we cannot define him in this way.
普洛斯彼罗提供的凯列班的形象也仅仅是他自己的发明，我们不能以此来界定他。
4.Which character the audience decides to believe depends on whether it views Caliban as inherently brutish, or as made brutish by oppression.
听众决定相信哪一个性仰赖无论它看丑陋如固有畜生般或依照藉着压抑制造畜生般。
5.In his first speech to Prospero, Caliban insists that Prospero stole the island from him.
在他的第一演说普洛斯彼罗中，丑陋坚持普洛斯彼罗偷了来自他的岛。
6.is the rage of Caliban not seeing his own face in a glass.
正如卡列班在镜中看不见自身的狂怒。
7.the rage of Caliban seeing his own face in a glass.
正如卡列班在镜中看见自身时的狂怒。
8.Alden T. Vaughan and Virginia Mason Brown, Shakespeare's Caliban: A Cultural history (Cambridge: Cambridge University Press, 1990).
奥尔登•T•沃恩和佛吉尼亚梅森布朗，莎士比亚中的的卡利班：《文化历史》，剑桥：剑桥大学出版社，1990。
9.Caliban elects to remain in servitude. What ideal of "freedom" lies behind this contrast.
而凯列班则选择继续为奴，这个对比所要阐述的「自由」是什麽？
10.Both Caliban and Ferdinand profess an interest in untying Miranda's "virgin knot. "
丑陋和费迪南声称对不绑米兰达的兴趣“处女结。”